Tools I Use: My Favorite Pens

The Pen Drawer. The Pen Drawer.

Oh, pens, how I love each and every one of you. Below are some of my favorites.

Sharpie Ultra Fine Point, the Old Standby

The Old Standby: Sharpie Ultra-Fine Point. Pros: Long-lasting as long as they stay capped between uses. Writes on a variety of porous and non-porous surfaces. Inexpensive and easy to find in bulk. Very durable tip, will stand up to quite a bit of abuse. Decent color selection. Cons: Smelly. Bleeds on paper. They will write on top of acrylic paint, but as the ink is solvent-based, the acrylic will dissolve and clog the pen tip. This solvent will also make paper turn yellow after a few weeks, sooner if the drawing is exposed to air and sun.

Pilot Razor Point and Papermate

My water-based friends: Pilot Razor Point and the Papermate Flair black felt tip pens.

Pros: Very durable. Both deliver black lines with reliably uniform thickness. Easy to find at office supply stores. Good for ink wash drawings (this one was made with the aid of a Niji Waterbrush). I also use them to write down loud thoughts. Cons: They only write on porous surfaces, not good for mixed-media work. Limited range of colors available.

Faber Castell Pitt Artist Pen and Staedtler Pigment Liner

Not So Much: the Faber-Castell Pitt Artist Pen and Staedtler Pigment Liner. I tried these while in search of alternatives to the Pigma Micron (why, I can't remember). Pros: Archival ink. Durable tips. Waterproof, writes on a variety of surfaces. The Faber-Castell pens come in Sepia, which is not bad, but the ink is almost indistinguishable from black. Cons: Both pens are fairly expensive for felt tips. I find the tips, for all their durability, are not flexible enough to produce satisfying lines, especially with the larger sizes.

Champs: Pigma Micron 01 and Bic Round Stic Grip Fine

The Champs: Pigma Micron 01 and Bic Round Stic Grip Fine.

Micron pros: Microns have a flexible tip that will produce strong lines and fine detail if treated gently. They come in many sizes, though I stick to the 005, 01, and sometimes the 02. Multiple colors available. Will write on porous and non-porous surfaces. Waterproof when dry. The ink does not bleed on most papers. Microns have a strong fan base: check out this Flickr group, for instance. Micron cons: Expensive if you buy them one at a time. I buy them in boxes of twelve from Dick Blick. The tips wear out fairly quickly, and can be ruined easily by dropping the pen or leaving the cap off. The ink takes a few minutes to dry, and when wet, will smear on surfaces like acrylic.

Bic Stic pros: Oh my goodness, I love drawing with this pen. Incredible tonal range. Stands up to plenty of abuse, including leaving the cap off indefinitely, storing them in my hot or cold car, dropping them, shoving them through my ponytail for safe-keeping, etc. Long-lasting. The ink is gel-based but not entirely waterproof. Bic Stic cons: Very non-archival. I get around this problem by turning my drawings into acrylic gel transfers. The Medium-point Bic Stic is prone to clumping and smearing (arg!), and unfortunately, the Fine-point is not easy to find in office-supply stores. I order them by the dozen.

For more pen reviews, browse the links below. Happy drawing.

The Pen Addict The Tools Artists Use Doodlers Anonymous Flickr group Doodlers Anonymous website Karo: The Quest for the Perfect Pen

This post is part of NaBloPoMo for July 2009.

BookMooch Journal: Thin Places

Namaste, photograph by Flickr user Kim Pierro

Namaste, photo by Kim Pierro. Click image to see this photo's Flickr page.

I recently contributed to the BookMooch Journal Thin Places. My entry was the word Namaste.

Namaste has a lot of different translations. My favorite is "The light within me salutes the light within you." This particular translation was used by the Reverend Tom Honey in this talk for the 2005 TED Conference. His speech, titled "How could God have allowed the Tsunami?", calls into question our Western idea of theodicy, the notion that God is in charge and everything happens according to a divine plan. He counters this view with the suggestion that every creature contains divine light as part and parcel of their existence. (Do yourself a favor, take twenty minutes, and listen to his talk. His warm, soothing voice alone is worth the time.)
Live Oak Quaker Meeting House, by James Turrell
Live Oak Friends Meeting House, designed by James Turrell.
Artist James Turrell has also drawn influence from this idea of internal light. Turrell's upbringing included education in Quaker spirituality. The Quaker belief system cherishes inner light as the receptacle and source for divine understanding. (How interesting that the disparate Quaker and Hindu faiths should include this same idea at their core.) On his early experience with the Quaker society, Turrell says,

My grandmother used to tell me that as you sat in Quaker silence you were to go inside to greet the light. That expression stuck with me. ...Telling a child to go inside "to greet the light" is about as much as was ever told to me. But there is an idea, first of all, of vision fully formed with the eyes closed. Of course the vision we have in a lucid dream often has greater lucidity and clarity than vision with the eyes open. The fact that we have this vision with the eyes closed is very interesting. And the idea that it's possible to actually work in a way, on the outside, to remind one of how we see on the inside, is something that became more interesting to me as an artist.

You can go here and view clips about Turrell and his work from the PBS' excellent Art:21 series.

Dr. Sketchy's OKC with Savonne the Minx, 2009.06.14

Dr. Sketchy's Flyer featuring Savonne the Minx, 20090614 The next Dr. Sketchy's Anti-Art School, OKC edition, will be this Sunday evening at aka gallery in the Paseo. Madame Marylin tells us that Savonne the Minx, who hails from Tulsa, is a burlesque ballerina!

Also, she said something about hula hoops. Come on down.

Click here to learn more about Dr. Sketchy's Anti-Art School. Click here to see my other Dr. Sketchy's drawings. Click here to see the Dr. Sketchy's OKC pool on Flickr.

Dr. Sketchy's OKC: Lucky DeLuxe 05.03.2009

Lucky DeLuxe: Red Scare. Ink and wash on paper, 2009 by Sarah Atlee
Lucky DeLuxe: Red Scare. Ink and wash on paper, 2009. Click image to view larger.

Drawn in honor of the recent controversy surrounding Oklahoma's adoption of the Flaming Lips' "Do You Realize?" as our official state rock 'n' roll song.

Thanks to Miss Lucky DeLuxe for travelling from Kansas City to Dr. Sketchy's OKC!

Click here to see my other Dr. Sketchy's drawings. Click here to see the Dr. Sketchy's OKC pool on Flickr. Click here to learn more about Dr. Sketchy's Anti-Art School.

Sketchbook: Society of Illustrators, Feb 2009

Ain't No Sunshine, ink on paper by Sarah Atlee, 2009. Ain't No Sunshine, ink on paper, 2009. Click image to view larger.

The Society of Illustrators does this wonderful thing called Jazz & Sketch every Tuesday and Thursday night. (It used to be just once a month; they expanded it by popular demand.) If you're in NYC and want to practice some life drawing, head on over. Here are the details. When I planned my trip to NYC in February, attending Jazz & Sketch was at the top of my list. These are two of my drawings from that night. (I worked on the first one some more after we came back to Oklahoma. I finished it one afternoon during a tornado warning, sitting against the toilet, next to my weather radio. Very Okie.)

Redhead, ink on paper, 2009 by Sarah Atlee

Redhead, ink on paper, 2009. Click image to view larger.