Monkeys, Quilts, and Toilet Art - In Gratitude, Part 3

It's November, home of my favorite holiday! This month I'm spending a few minutes each day writing about something for which I am thankful. Batch number three. Color!

The Crayon-Bow Crayola Color Chart, 1903-2010. Click image to view source in its original interactive glory.

I may have a touch of synaesthesia, because I want to treat the above chart like a mix between a koto and the wallpaper from Willy Wonka and the Chocolate Factory.

Seeing Art in Person

Austin art lovers enjoying an evening out.

Anyone who's been in an art history class will have heard a professor bemoan the fact that we learn about art by looking at slides, textbooks, and, horror of horrors, the Internet. Now I don't think these media (or the professors) should be thrown into the sea. But experiencing a work of art in person really is a horse of a different color.

I live in a place where I have a lot of opportunity to do just that. I recently attended Art Night EAST, a special preview event for the annual East Austin Studio Tour.

Living With Art

I have seven pieces installed in my bathroom.

Artists don't just make art - we're collectors, too. My art collection began with small pieces given as gifts or in trade with my fellow art students. It has grown to include significant purchases and even commissions.

You know what I love? Going to someone's house and seeing art in their bathroom. Think about it - how many rooms in your home do you use every day without fail? If my art ends up over a collector's toilet or kitchen sink, my heart swells because I know that person wants to look at it every single day.

Pretty In Pink, photographic print by romy owens. Three guesses where this one hangs.

The Austin Modern Quilt Guild

You may know that when I'm not painting, I'm quilting. After moving to Austin, I googled local quilting groups and discovered the Austin chapter of the Modern Quilt Guild. I didn't know it yet, but I was already a modern quilter!

The AMQG deserves a whole post just to list all the cool things they do. I'll just say that I'm eagerly anticipating QuiltCon.

Seeing Artists at Work

Palette Peelins.

Imagine a masterpiece, centuries old, on a pedestal at a museum. It looks as though it appeared there by magic. We don't get to see all the mistakes the artist ever made before they got that one right. Unless the artist lets us peek behind the curtain.

Whenever I get to see the inside of an artist's studio or sketchbook, I know I'm learning something.

Art Blogs

The power of the Internet as a tool of communication still amazes me. It's my primary source for new contemporary art, and historical art that's new to me. If you'd like to start reading some excellent art blogs, I recommend Beautiful Decay, Illustration Art, Lines and Colors, Bibliodyssey, Robert Lange Studios, and especially:

The Near-Sighted Monkey

Do you know Lynda Barry? Wow. I mean, she's just so awesome. Want to learn things about creativity, drawing, writing, comics, and yourself? Follow along at The Near-Sighted Monkey. Barry has also published a handful of books, all of which I recommend.

What are you thankful for? Express your gratitude in the comments below.

Read Coffee, Sleep, Paper - In Gratitude, Part 1 Read Boundaries, Bracelets, and Biz Coaches - In Gratitude, Part 2 Read It's the Little Things - In Gratitude, Part 4 Read Bonus Gratitude!

Boundaries, Bracelets, and Biz Coaches - In Gratitude, Part 2

It's November, home of my favorite holiday! This month I'm spending a few minutes each day writing about something for which I am thankful. Here is the second batch.

Sushi White Plate, acrylic on canvas, 12 x 12 inches, 2012 by Sarah Atlee. Private collection.

Alyson Stanfield, Art Biz Coach

Do you have a person in your life who believes wholeheartedly in your career? Who cheers your successes? Who's not afraid to ask you to ask yourself the tough questions about what you want out of life? Who can teach you to wield the tools of success? I do: Alyson Stanfield, the Art Biz Coach. Read her book and begin your journey.

My Artist Network

Earlier this month I attended Alyson Stanfield's Art Biz Makeover event in Golden, Colorado. It's not often I get to spend time with such an energetic, motivated group of artists. You know what I love most about working with these folks? Realizing that we're all in this together. We share many of the same challenges, and we celebrate success together. In a business like this, it's so important to know that you are not alone.

The Egg Timer

This friendly little gadget is my near-constant companion in the studio, whether I'm writing, painting, or working on business tasks. It's a tiny piece of decision-making power that allows me to stop asking "What do I do now?"

Looking for more ways to improve your productivity? Check out the Pomodoro Technique, Timeboxing, and Willpower.

Learning New Things

In 2013 I taught myself how to make friendship bracelets. At the time I was working on a series in response to growing up female in the 80s and 90s. I remember friendship bracelets as these cool things made by cool girls and you had to hope that a cool girl would make one for you, so you could be cool too, but she didn't, so it's a quarter-century later, and now I have the power of the Internet. I AM THE COOL GIRL NOW.

You can be the cool girl, too: Friendship bracelet basics, endless bracelet patterns, how to do anything.

Lists

When I put a task down on paper, that's when it starts to feel real. That's when I make a promise to myself to honor my responsibilities. And while I'm at it, why not have some fun with stickers? My list should be a happy place.

Delegating

You see this beautiful website? See how easy it is to move around and find what you're looking for? Thank Jason Ormand, my rock star web designer.

A long, long time ago, on a server far away, there were iterations of SarahAtlee.com that I coded from the ground up. No more. Web design is not my area of expertise. My time is better spent doing what I do best - making pictures. So I delegate. Try it on, it's so roomy!

Boundaries Around my Creative Time

This is something all artists (really, all independent workers) must face. Making pictures is the most important thing I do. Why on Earth would I want to do dishes or go to the grocery store instead of painting? Because sometimes I let the minutiae of daily life distract me.

All it takes to correct this pattern is giving myself permission to let the small stuff go. After all, is anyone going to remember that I did the dishes today? Nuh-uh. If I use that time to create a beautiful object that a collector brings into their home, that's time well spent.

Orange, acrylic on canvas, 4 x 4 inches, 2014 by Sarah Atlee. Private commission.

What are you thankful for? Express your gratitude in the comments below.

Read Coffee, Sleep, Paper - In Gratitude, Part 1 Read Monkeys, Quilts, and Toilet Art - In Gratitude, Part 3 Read It's the Little Things - In Gratitude, Part 4 Read Bonus Gratitude!

Coffee, Sleep, Paper - In Gratitude, Part 1

It's November, home of my favorite holiday! This month I'm spending a few minutes each day writing about something for which I am thankful. Here is the first batch. Apple, acrylic on canvas, 4 x 4 inches, by Sarah Atlee. Private commission.

Let's Start With the Basics

All of my basic needs are met. I have a home. I never go hungry. When I turn on the tap, clean water comes out. If I want hot water, I can have that too. Clothes? Not a problem, ever. All of my body parts work. I can get wherever I need to go. I'm able to do what I do because I don't have to worry about any of these things. I'm thankful for this every day of my life.

My Family Gets What I Do

Nobody I love ever asks me when I'm going to get a real job. Nobody I love tells me that art is dead or nobody's buying it anyway or there are more useful or important things I should be doing with my life. The people I love say that's awesome and good for you. They come to my shows. They buy my work, yes, using real money. They leave encouraging comments where I can read them. I feel lucky for a lot of reasons. This is a big one.

Sleeping In

I'm self-employed. My favorite part of this is that I almost never have to wake up to the sound of an alarm. I sleep until I'm done sleeping. Bliss. Years of experience and experimentation have taught me the impact of sleep on my working life. When I get enough, I have a great day and do good work. When I don't, I don't. It's that simple, and I'm so grateful that this is my life.

Drink my coffee while it's still hot, sketchbook drawing by Sarah Atlee

My Studio

I've had studio spaces both in and away from my home. Each has its advantages. Since moving to Austin last year, one room of our apartment has been my studio, the place where I spend most of my time. It's beautiful in a barely-controlled chaos kind of way. Sunlight streams through the windows. Our building is a very quiet place most days. I love rolling out of bed and coming straight in here to work, or just play around (it's a fine line). Yes, I'm sometimes distracted by dirty dishes or the grocery list, but I'm so glad to have this place.

My Sketchbook

I'm writing this note on the first page of a brand-new sketchbook. I'm very pleased with this one. The paper is toothy and absorbent, the binding is strong, the pages lay nice and flat. I've been keeping a sketchbook of some kind since about 1996. If the house is on fire, these precious books are what I'll grab first. They're a vital record of my growth as an artist. My sketchbook is my friend and confidante, my companion and co-conspirator. It's an extension of myself.

Coffee

Literally the best thing ever.

Medallion, sketchbook drawing by Sarah Atlee

What are you thankful for? Express your gratitude in the comments below.

Read Boundaries, Bracelets, and Biz Coaches - In Gratitude, Part 2 Read Monkeys, Quilts, and Toilet Art - In Gratitude, Part 3 Read It's the Little Things - In Gratitude, Part 4 Read Bonus Gratitude!

Feeling Stumped?

Here are some tools that can help spur your creativity. Don't try to execute every idea all at once -- pick a link at random and follow it. The Brainstormer (Read a history of The Brainsormer here.)

The Psychic Sidekick

Directors Bureau Idea Generator

Michael Nobbs' 75 ways to Draw More and Draw Your Life

Doug Chayka's sketchbooks

A methodology for creating new ideas (written by professional illustrator Nate Williams)

An extensive list of ideation tools

Keith Haring knew that anything worth drawing once was worth drawing a hundred times.

I like to go to movies and draw in the dark. And I love love love blind gesture drawing.

Join the BookMooch Journal Project (or just browse their blog or their Flickr pool) or 1001 Journals

Participate in the quarterly Worldwide Sketch Crawl Day.

Illustration Friday suggests a new topic once a week!

Following are some idea-generation links oriented toward writers, but they could just as easily apply to image-makers.

No one cares what you had for lunch.

Idea Generator Blog Writing Prompts

Googobs of Creative Writing Prompts

Now rock out with your socks out.

Related Posts How (and Why) to Title Your Work (Includes some prompts to help you create interesting titles.) Project Idea: Object Sketchbook

End Matter - Finishing Touches on a Gallery Show

Aloe polyphylla Schönland ex Pillans by Flickr user brewbooks. Click image to view source.

End matter or back matter is a book publishing term that describes all the written elements of a book to be dealt with after the author has finished writing the manuscript. These may include indexes, appendices, glossaries, the table of contents, notes, bibliographies, and so on.

As a gallery artist, I have learned to do a lot more legwork besides making the paintings. I have come to think of certain tasks as the end matter -- what remains to be done after the art is finished. The more of this work I do myself, and do well, before delivering my work to a gallery, the better my professional standing.

Following is some end matter I'm faced with before a gallery show.

Sign and date the work. Sometimes, as with the Normal series, I include a story on the back of the piece. Information like this can increase a painting's value and provenance.

Prepare the painting for hanging in the gallery, either by wiring or framing. I highly recommend Downtown Art & Frame in Norman, OK.

Attach a business card or other identifying information to the back of the piece. This is especially important for group shows where your work might be misidentified.

Photograph the piece. That is, take a good photo, not one with uneven lighting, or glare, or out of focus, etc. The digital formats I use most often are: 300 dpi, 1,000 pixels on a side (for print) 300 dpi, 4 x 6 inches or thereabouts (for print or application to juried shows) 72 dpi, 500-800 pixels on a side (for the web) 72 dpi, 150 pixels on a side (for thumbnails)

Make a backup of the photos, on cd, on the home server, etc.

Upload the image to my website, Flickr, Facebook, etc.

Add the piece to my portfolio, if it's among my best works. Add the piece to my inventory. I'll post more on this later.

Register the work with the copyright office. I keep a text file with an ongoing list of all the works I complete, called "Works By Date." When I finish a piece (or scan a batch of sketchbook pages), I add it to the list. I also keep a folder of small images at 72 dpi, which I will submit as a batch with my copyright registration. When I'm on top of things, I register my work four times a year.

Create an inventory for the gallery. This is so underrated. I make the inventory in two formats:

A spreadsheet containing the title and dates of the show, then the title, medium, dimensions, year, and price for each piece. At the bottom of the spreadsheet I list the show drop-off and pick-up dates, with space for my initials and the curator's. I print two copies: one for me, one for them.

A visual inventory with thumbnail images of each work in the show, followed by titles and prices. (Again, I print two or more copies, and file one for my own reference.) This helps whomever hangs and labels the show, and can also facilitate sales. When a potential buyer calls the gallery asking for the price of a piece, they may only remember it as "That yellow one, with the guy, and that thing in the corner." Having a visual inventory on hand can help avoid all sorts of confusion.

I've learned to leave myself a few days before my deadline to tie up these loose ends. When it's time to ship or deliver my work, I feel much better having all these ducks are in a row.

This post is part of NaBloPoMo for July 2009.